Developing New Idea's

Paperlitho New Idea's.

Having become fascinated with paperlitho, and somehow managing to get a reasonably good transfer of an image. I want to investigate this within my practice to see where it would fit. I still need to perfect the technique, sometimes I have far too much water on the paper, soaking it up with a sponge and cotton buds work well but I like that grainy edge a blur between the print and paper. Experimentation on seeing how I could add stitch or collagraph to the pieces is my next stage, I think if I do this the paperlitho needs to have more space enabling areas to be exploited.

Comments

A bit of reading is good for the soul.

My dear husband bought this book the other day as he thought it would be of interest. Factual books I normally read during the day, but I was intrigued and excited to start it as soon as he gave it to me , it has become my night reading ..only because I have more time. The book written by dress historian Kate Strasdin, after she was given the diary , the story behind that in itself is something I dream would happen to me in my lifetime. The book is beautifully written, it has such a gentle tone to it, packed full of social history it follows Anne Sykes journey. It is so clever as nothing is really known about Anne and certainly the diary gives away no clues, but Anne in a sense is invisible but you read on feeling completely drawn in to the story. The photo's of the swatches are lovely and there is a QR code in the back to enable you to see more, these are stunning and is the icing on the cake.

Experiments

Copper and Elderberries I was very lucky to receive from Alice Fox her wonderful Book Natural Processes in Textile Art: from Rust Dyeing to Found Objects www.textileartist.org/book-review-natural-processes-in-textile-art-by-alice-fox , this book is not only very informative and beautifully written with some amazing photographs but gently guides you through the process of mark making using so many objects you would just walk by or not even think would be capable of dyeing paper or fabric.

Small Steps

F ragments. A morning in my studio is rare during the school holidays. I felt like a child in a sweet shop, not really knowing what to do or where to start. I took some of the work I had been doing at the Ropewalk https://www.the-ropewalk.co.uk/ and used this as a starting block.This is a very different concept to working for me as I normally do at least two sketchbooks full of art work etc before I even start to think about anything else. However as I am continuing with the Foundlings I could say alot of the ground work has already been done, this is more about developing my practice and incorporating new ideas.

Bridget Harris

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