Skip to main content

Lace and Tatting


An afternoon at The Ropewalk  printing, I had been given some beautiful tatting done by a friends Mother and also some Vintage lace as a Thank you for talking to students about my work. I thought about how I could use then and decided to make an impression  onto a zinc plate using a soft ground and then it was etched using a Nitric acid solution. I have printed on both paper and fabric , the results are clear and interesting, if you look closely you can see the small stitches are just visible. I am now keen to see how I can develop this further, maybe by adding embroidery myself or looking at other colours and medium to print with 

Comments

Popular posts from this blog

Worked in Flowers

Worked in Flowers. All types of flowers were used as an interest for Eighteenth century young ladies, obviously for those of wealth and privilege. Embroidery gave them the opportunity to express an interest in botany working the flowers in silks in running stitch, in  The Subversive Stitch by Rozsika Parker  , Parker talks about the attitudes that shaped eighteenth century embroidery by looking at Mary Delany's work , Mary's sister described a piece of embroidery in a letter stating "the bottom of the petticoat was worked with twined nasturtiums,ivy,honey suckles,periwinkles,convolvuluses and all sorts of twining flowers". Above I have used my print image of a sleeve and started to embroider using very contemporary flower shapes, I shall continue inter-twining and working into the fabric to see what happens to the humble concept of the sleeve. 

Leaves and the Negative Look.

So much more is visible when you look at the detail of this print from the plate, the leaf looks fragile , hand drawn and has a historical botanical feel about it, this was printed on paper , however I think being a textile practitioner  I should try this on linen or calico, then I need to see if the body of the leaf changes at all. I have done this in the past with lace and it has been very successful, first printing on cloth and then taking a negative, not only do you get the print of the object but also the weave of the cloth .

Mapping the forgotten

Mapping the Forgotten I wanted to look at my practice further, I was feeling as bit lost on where to go and what to do , I felt that by just using stitch I was hemming myself in , expression and development was hard. I came across  www.fibreartstaketwo.com  a course by  www.sallytyrie.com  seemed to fit the brief in my mind so I joined and what a great decision that was. It was the most amazing experience, I have met so many like minded artists and was blown away with the amount of talented people on the course. I wanted to continue with my passion of social history. Please have a look at the amazing work  exhibition.fibreartstaketwo.com/books/lcvj