So much more is visible when you look at the detail of this print from the plate, the leaf looks fragile , hand drawn and has a historical botanical feel about it, this was printed on paper , however I think being a textile practitioner I should try this on linen or calico, then I need to see if the body of the leaf changes at all. I have done this in the past with lace and it has been very successful, first printing on cloth and then taking a negative, not only do you get the print of the object but also the weave of the cloth .
Sometimes I wonder why I'm doing this, it hard slog and some weeks and days you get nowhere, rejection is the worst and because of that I have spent along time not over exposing myself . However that really doesn't work. This little book is a combination of my journey, back and forward, finding a solution, working out the best way which is carry on making, working, experimenting and let people enjoy.
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