Historical Reference .

With only a few days left to go before I submit my final degree work, I am still thinking about the concept of the tokens, loss and separation. I have spent most of the day wondering if I have got it right and could I have done more.

Historical reference in dress has never been about evolution,continuity...in dress, surfaces float free of their histories. Clark 2004. I wonder if this "token" floats free of its history, I would like to think history is inscribed in it's surface.

Comments

A bit of reading is good for the soul.

My dear husband bought this book the other day as he thought it would be of interest. Factual books I normally read during the day, but I was intrigued and excited to start it as soon as he gave it to me , it has become my night reading ..only because I have more time. The book written by dress historian Kate Strasdin, after she was given the diary , the story behind that in itself is something I dream would happen to me in my lifetime. The book is beautifully written, it has such a gentle tone to it, packed full of social history it follows Anne Sykes journey. It is so clever as nothing is really known about Anne and certainly the diary gives away no clues, but Anne in a sense is invisible but you read on feeling completely drawn in to the story. The photo's of the swatches are lovely and there is a QR code in the back to enable you to see more, these are stunning and is the icing on the cake.

Experiments

Copper and Elderberries I was very lucky to receive from Alice Fox her wonderful Book Natural Processes in Textile Art: from Rust Dyeing to Found Objects www.textileartist.org/book-review-natural-processes-in-textile-art-by-alice-fox , this book is not only very informative and beautifully written with some amazing photographs but gently guides you through the process of mark making using so many objects you would just walk by or not even think would be capable of dyeing paper or fabric.

Impressions

Print making and playing with order and position. Often I just use one piece of garment or lace to print with , here I am trying to get out of the habit and use a variety of different elements. The reason is to try and link these pieces with further work in some way. I like the difference between the ghostly images and then the block colour of the lace in the right hand corner,I'm not sure if I could now print and over print to get different textures and colours .

Bridget Harris

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