Skip to main content

Cyanotype




A beautiful cyanotype image of Antique dress, while it is not Eighteenth Century, it is representational of a child and produces a good ghostly image, the way the image is caught with movement is thought provoking . I now need to work into this, changing the surface design completely.




Comments

Popular posts from this blog

Worked in Flowers

Worked in Flowers. All types of flowers were used as an interest for Eighteenth century young ladies, obviously for those of wealth and privilege. Embroidery gave them the opportunity to express an interest in botany working the flowers in silks in running stitch, in  The Subversive Stitch by Rozsika Parker  , Parker talks about the attitudes that shaped eighteenth century embroidery by looking at Mary Delany's work , Mary's sister described a piece of embroidery in a letter stating "the bottom of the petticoat was worked with twined nasturtiums,ivy,honey suckles,periwinkles,convolvuluses and all sorts of twining flowers". Above I have used my print image of a sleeve and started to embroider using very contemporary flower shapes, I shall continue inter-twining and working into the fabric to see what happens to the humble concept of the sleeve. 

Leaves and the Negative Look.

So much more is visible when you look at the detail of this print from the plate, the leaf looks fragile , hand drawn and has a historical botanical feel about it, this was printed on paper , however I think being a textile practitioner  I should try this on linen or calico, then I need to see if the body of the leaf changes at all. I have done this in the past with lace and it has been very successful, first printing on cloth and then taking a negative, not only do you get the print of the object but also the weave of the cloth .

Collage

Collage  I find it so hard to work on images and then rip them up and collage them to create another image. The fear of it all going wrong and just looking awful is what stops me, why when I am happy with what I have produced should I push it. I also find it hard to put things together so I am going to practice this, maybe little steps  making small collages. I have come across Seth Apter's 5 principals of collage https://www.clothpaperscissors.com/blog/seth-apters-5-principles-of-collage/ I am going to have a read of it, make notes I think it will help. Looking up collage historically I came across Kurt Schwitters.   I was quite drawn to his work, I found the text interesting and the placement of papers, which he followed no rule for, making his  print work exhibits having a lack of order: artwork, and text are placed in unexpected areas. As a result, the space left between draws equal attention to the text and images themselves.