Bridget Harris

Fragments. After far too long away from my textile work, I return, life has been a battle and I have gone through many changes. Thoughts and my thought process during this time has been frightening and challenging. I was glad during my recovery to have forced myself to enrol at  The Ropewalk  in Barton Upon Humber. It was here I started the slow process of introducing myself back into the creative world. With the help of Tim Needham and a wonderful group of ladies and a few men who encouraged me so much I feel ready to start my new project.. Fragments.

Tokens made from mixed media . The process of "getting" everything in the right place took three days. The shadows produced depth and movement to my art pieces. The linen thread holding my drawn thread work acts as a tactile piece of art, the viewer can touch and observe . It was hard to get the right flow as I wanted to create a story, by putting the strong elements on the left , then moving into the linked elements would evoke feelings of loss.

With only a few days left to go before I submit my final degree work, I am still thinking about the concept of the tokens, loss and separation. I have spent most of the day wondering if I have got it right and could I have done more.  Historical reference in dress has never been about evolution,continuity...in dress, surfaces float free of their histories. Clark 2004. I wonder if this "token" floats free of its history, I would like to think history is inscribed in it's surface.

For my photo shoot I wanted to create the feeling of separation and the fate of most the the little foundlings.My parish church Haxey which originates from the 12th Century was an ideal choice. In the graveyard it has an old part called "God's Garden", it is overgrown,peaceful and very beautiful. God's Garden The carving and wording on the stone portrays perfectly the concept of my Studio Practice. Laid to rest.